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What do you do when your dreams come true? When you were twelve, camping out in the back yard, you told your best friend that if he could draw a superhero good enough, you’d give him the perfect words to say.

Yusur Al-Madani will return to Boulder on Oct. 26 to receive ����������’s George Norlin Award, which “recognizes outstanding alumni who have demonstrated a commitment to excellence in their chosen field of endeavor and a devotion to the betterment of society and their community.”

English alumna Yvonne Georgina Puig talks about her debut novel, A Wife of Noble Character.

Long before "alternative facts" made headlines, ���������� English Professor Katherine Eggert was studying late-Renaissance English writers and coined the term "disknowledge"—or, deliberately choosing to maintain one’s belief in something a writer knows is false.

Professor Ruth Ellen Kocher, a nationally recognized poet, will become associate dean for arts and humanities in the College of Arts and Sciences at the ����������.

Modernism: The Basics provides an accessible overview of the study of modernism in its global dimensions.

"It’s encouraging to land top spots nationally year after year for our outstanding graduate offerings in rankings like this one," said Ann Schmiesing, dean of ����������’s Graduate School and vice provost for graduate affairs.

Thora Brylowe told her students they’d complete three separate, significant projects during the semester, each in collaborative fashion. The results would be experienced by the public in three distinct media formats: books, pictures and the internet.

Bringing together Mary Klages's bestselling introductory books Literary Theory: A Guide for the Perplexed and Key Terms in Literary Theory into one fully integrated and substantially revised, expanded and updated volume, this is an accessible and authoritative guide for anyone entering the often bewildering world of literary theory for the first time.

A one-sided epistolary novella whose speaker writes to an ex-lover’s ex-lover begins this volume, and Carr charges these unanswered, unanswerable letters with inquiries that permeate the book: How do we understand grief, obsession, the very nature of forgiveness? Why confess? Whom does my confession benefit? For whom do I intend it?